Sunday, September 27, 2015

ASSIGNMENT 1 IS DUE! What counts as ... Art? Feminism? for whom? how do you know? BRING HARD COPY TO CLASS TODAY! YOU NEED TO ATTEND AND PARTICIPATE IN ACTIVITIES FOR FULL CREDIT!

===

Tuesday, 29 September – What counts as art? What counts as feminism? 
• DUE ASS. #1: Museums & More: hardcopy in class and email also, both to your TA
• finish up Freeland!
• learn about Experience Set2 and next EVENT assignment; groups set up in Th discussion sections

Reports, thoughts, analysis of our first class experiences, the museum visits. What assumptions altered as you got involved here? What was surprising? What insights about feminisms emerged? What was new? What was exciting and fun? Where will this beginning take us this semester? What sort of journey have you begun? How will Freeland guide us? The more Freeland you have read, the better!


YOU MUST TURN SOMETHING IN TODAY IN HARD COPY TO TA! 
If, for any reason whatsoever, you do not have your hard copy of Ass 1 now, you must turn in a piece of paper with your name and explanation/s & with the activities we will do today AS IF YOU WERE WORKING WITH YOUR PAPER! If necessary, imagine, freewrite, guess. 

===

===

===
YouTube: https://youtu.be/S3qLZX4fA4I

why might a philosopher have a different approach to art than an art historian? Guessing is good. What values & concerns does Freeland express here?

===
>>> VALUES WRITING: http://blogs.discovermagazine.com/notrocketscience/2010/11/25/15-minute-writing-exercise-closes-the-gender-gap-in-university-level-physics/#.Ve70XbRgxUR ]
=why do we do this exercise? (meta-cognition)
=when could it be useful in your life? (knowledge transfer from one context to another)

===
>>>TAKE OUT THE HARD COPY OF YOUR PAPER FOR TODAY.<<<<

=On the paper itself, put a star next to the bit you are most proud of! (or if necessary write on piece of paper to turn in what you are most proud of in the work you are doing for Exp Set 1 and Ass 1 so far).
=Write on the back of your paper a sentence about what you hope your TA can take into account when they read your Ass. 1 paper. (If you don't have today, write on the piece of paper you will hand in at the end of class, your explanation.)

How many folks engage in a sport? How often do you practice & play?
Music? craft? art form such as dance? How often do you practice & play?
How many folks play games of some kind, maybe video games? How often do you play?
What other things do you regularly that take practice?
How much time practicing and playing do these take?
How do you translate that into what you do to practice for class, preparation, play for class, do in assignments and activities?

===
Today is the culmination of Experience Set 1, in which we have been exploring and reflecting on What counts as…. Art? Feminism? For whom? How do you know? 

We are practicing and playing both throughout the Experience Set, and Ass 1 is part of all that and an indication of how we are doing all that.

What is the difference between What IS art & What COUNTS AS art?
How does that work with what IS feminism & what COUNTS AS feminism?
Why do we need to add "for whom?"
Why do we need to add "how do you know?"

===
AS A TIME CAPSULE MESSAGE TO YOUR FUTURE SELF AT THE END OF THIS COURSE: write down to keep as private just to you, with the date on it, for your final learning analysis:

=What skills do you intend to learn in this course this term? In other words, what do you not know now that you hope to know at least somewhat better by the end of our class? Write down three things.

=Now, how would you name three levels of learning between NOTHING & KNOW THOROUGHLY? Come up with ways of describing these in terms that make sense to you: 
for example: nothing, level 1, level 2, level 3, know thoroughly
not yet competent, competent, sophisticated, expert
beginner, developing, competent, exemplary

=For your eyes only, rank yourself at this moment in the class on each skill you picked using your own indication of level.

===
NOW PRETEND YOU HAVE JUST READ THIS PAPER YOU ARE ABOUT TO HAND IN, AND IT IS THE PAPER OF YOUR BEST FRIEND. In other words, think of your paper as your best friend might think of it. Be mentally prepared to share with this our class! 

=Name 3 things you like about it.
=What one most important piece of advice do you have to offer your friend about what they might consider doing in their next project or paper?

===
>>> THINK-PAIR-SHARE: [why we do this: https://www.hastac.org/blogs/cathy-davidson/2012/04/08/single-best-way-transform-classrooms-any-size ]

NOW THINK-PAIR-SHARE OF EXPERIENCE SET 1: Reports, thoughts, analysis of our first class experiences, the museum visits.
=3 surprises or emotional experiences or challenges to understanding you had.

=go over these with partner: what assumptions do these unearth somehow? Help each other figure these out: semi-conscious brought to consciousness (what in the next experience set is sometimes called consciousness-raising or CR)
=What insights about feminisms emerged? What was new? What was exciting and fun? 

Where will this beginning take us this semester? What sort of journey have you begun? How will Freeland guide us?
Consider again:
What is the difference between What IS art & What COUNTS AS art?
How does that work with what IS feminism & what COUNTS AS feminism?
Why do we need to add "for whom?"
Why do we need to add "how do you know?"


===

Sunday, September 13, 2015

Why is art a political issue at all?

===
NOTICE THAT DISCUSSION SECTIONS MEET FOR THE FIRST TIME THIS WEEK! BE SURE YOU KNOW YOUR TA AND WHERE TO GO! 

Thursday personal seminars and discussion sections:
Sec. 0301 – SQH 2120: Thursday 3-3:50pm, Clara Montague: montague.clara@gmail.com
Sec. 0302 – KEY 0120: Thursday 4-4:50pm, Anna Storti: amstorti@umd.edu
Sec. 0303 – HBK 1108: Thursday 4-4:50pm, Cara Snyder: csnyder3@umd.edu
Sec. 0304 – JMZ 0120: Thursday 3-3:50pm, Tangere Hoagland: Thoagland3@gmail.com
Sec. 0305 - JMZ 1120: Thursday 3-3:50pm, Jocelyn Coates: jmcoates@umd.edu

===


===

Alma Lopez NHU web  

Uploaded on Oct 17, 2011: https://www.youtube.com/watch?v=9Y1IIu-I7ag  
"Author, Artist and Activist Alma Lopez offered a lecture at NHU, about her new book, "Our Lady of Controversy: Alma Lopez's Irreverent Apparition," (University of Texas Press, 2001), a series of essays about the history of Guadalupe and what her pervasive imagery means in our lives."

===
Tuesday, 15 September – Why is art a political issue at all? 
• You should have read Freeland, Chs 4, 5, 7 by today and be prepared to discuss!
• Check out Freeland’s website: http://www.uh.edu/~cfreelan/ What sort of passionate thinker is she?

How will we activate web action to see how alive and dynamic women’s studies’ concerns are? That they involve people of passion individually and in groups? What is your stake in all this? How might it matter to you and to those you care about? You will be telling us about your museum experiences next time we meet! Mentally prepare yourself to talk in class! Notice the Freeland readings for next two weeks too!

NOTICE THE WEEK OFF FOR MUSEUM ASSIGNMENT! examine the tabbed instructions (top of webpage): TAB: #1: MUSEUMS 


WEEK OF 22 SEPTEMBER—NO CLASS SO YOU CAN HAVE TIME TO VISIT MORE MUSEUMS! 


You should have started the museum assignment already, already visiting and doing what you can during these hectic first weeks of classes. But we will not meet this whole week to give you as much room to complete it all as we can!! The assignment is due TUESDAY 29 SEPTEMBER! 



Image from: http://hdimagegallery.net/washington+dc+national+mall . ]

===
>>> THINK-PAIR-SHARE: take notes [why we do this: https://www.hastac.org/blogs/cathy-davidson/2012/04/08/single-best-way-transform-classrooms-any-size ]

=3 things you know about women's studies ALREADY => pair: which is most exciting? => share with us.

=in grps share what you notice about Freeland's passionate thinking, and what you learn about her on the web you wouldn't know otherwise. Notes for time capsule to future self.



>>> VALUES WRITING: what it does, how it opens us up [why we do this: http://blogs.discovermagazine.com/notrocketscience/2010/11/25/15-minute-writing-exercise-closes-the-gender-gap-in-university-level-physics/#.Ve70XbRgxUR ]

DOODLING AS FEEL-THINK-ACT: http://www.ted.com/talks/sunni_brown?language=en#


===

Bits and ideas from Freeland's book to ponder while visiting museums, making notes, thinking, and writing. 

WHAT DOES IT ALL FEEL LIKE? 
p105: "What should be the mood of a museum visit? Is it like going on a picnic, to school, on a shopping trip, or to church? Is money the name of the game, an inescapable fact about art today?"

[See also Art and emotion (Wikipedia)]

POWER OR BEAUTY OR WHAT? 
p98: "Andrew Mellon, Secretary of the Treasury under President Hoover, was embarrassed when foreign diplomats came to town and asked to be taken to the 'national gallery.' Mellon built the museum (opened in 1937) from his own collection.... The Galley's first director, David Finley, describes the museum's civilizing effects when it was first open during World War II and became a haven for soldiers visiting the city.... Free Sunday concerts, like the spacious galleries and the new practice of selling art reproductions were all aimed to promote an appreciation of beauty and quality among the ordinary men and women of the military."

[From a slide show on the establishment of the National Gallery of Art, here: http://www.nga.gov/content/ngaweb/features/slideshows/paul-mellon-and-the-national-gallery-of-art.html# ]


===
More from Freeland: 

DISAGREEMENTS AMONG MAKERS: 
p78: "...anthropologist James Clifford, has juxtaposed the displays of totemic objects in the British Columbia Museum of Modern Art (as modernist abstract-shape sculptures) with their exhibition in Northwest Coast Indian galleries. After significant religious items were returned to tribal peoples, there were disagreements about how to display them. One group decided they should not be displayed at all. Another showed them as individual objects with commentary, whereas still another exhibited them only in a ceremonial context that recreated the potlatch ceremony in which they would traditionally be employed."

[Similar objects from NMAI: http://nmai.si.edu/exhibitions/infinityofnations/northwest-coast.html
See also "collections management, and indoor and outdoor spaces for Native traditional care practices and cultural use of the collections" at the Cultural Resources Center link here: http://www.nmai.si.edu/explore/collections/crc/ ]

MORALITY & MORALISMS:
p28: "I have argued that contemporary ugly or shocking art...has clear precedents in the Western European canon. Art includes not just works of formal beauty to be enjoyed by people with 'taste', or works with beauty and uplifting moral messages, but also works that are ugly and disturbing, with a shatteringly negative moral content. How that content is to be interpreted remains a matter for more discussion...."

[the famous Piss Christ by Serrano Andres (1987) (Wikipedia)]

===
Although we don't have a copy of the catalog for the "Erewhon" exhibition (below) or the essay in it that Freeland wrote about it, we do have this online link for the exhibition: [from Freeland's online short CV she links to as "About Me"]:

"Catalog essay for Exhibition "Erewhon" by Jane and Louise Wilson, Blaffer Gallery, University of Houston, January 2005": http://glasstire.com/2005/02/02/jane-and-louise-wilson-erewhon/

===
So, what do you say now? Why is art a political issue at all? 

===

Sunday, September 6, 2015

Tuesday, 8 September – Women’s Studies, what is it about? (updated)

===
Reading, Writing, Assignment Schedule

NOTICE THAT WE WORK IN EXPERIENCE SETS! WE BEGAN THE FIRST ONE IN THE LAST CLASS! look at the TAB: EXP SET 1 to see the whole set at a glance.... 

Readings are of several sorts: some will be discussed in depth in class or section, some will help you with each assignment, some are background reading to enrich discussion and class experiences. You will need to faithfully complete all to do assignments well, especially the final learning analysis.

<<<EXPERIENCE SET ONE: WHOSE ART IS IT? HOW DO YOU KNOW?>>>

WHAT WE DID THE FIRST WEEK: LOOK AT LAST WEEK'S POST: 
http://wmst250fall15.blogspot.com/2015/08/books-for-our-class.html

Tuesday, 1 September – Welcome to our course!
• Bring in as many course books as you have so far
• Bookmark the course website, be sure you are receiving coursemail 
• Check out which section you are in and meet your TA 
• Learn how to do Ass. #1: SEE COURSE SITE TAB: 1: MUSEUMS 
We jump right into the thick of it all! Today we will met each other, make some class buddies, learn about the books for the course, and think about how to use the course website. Katie, Tangere, Cara, Clara, Anna and Jocelyn will introduce themselves. We will talk about how the class is structured as a series of experiences. And we will start immediately with experience #1 – your museum visits and what to do! It all starts right away and you should make plans for museum visits NOW! 

WHAT YOU NEEDED TO PREPARE FOR CLASS THIS WEEK! 

Tuesday, 8 September – Women’s Studies, what is it about? 
• Bring in our book-museum,  Pérez’ book, Chicana Art.
• You are encouraged to bring in laptops or other electronic devices. How will we use them in class? 
• What is Web Action? How will we activate it? [see example below in red, scroll down]
• Check out  Pérez’ teaching site: http://ethnicstudies.berkeley.edu/faculty/profile.php?person=12
• Start finding the artists in Perez on the Web. Bring in an example to share. 
Women’s Studies is a scholarly field, a range of feminist actions, a set of issues that matter to women, an analysis of power and knowledge, and an intersectional intervention into dominant social structures. Our class is an introduction into all of these, by way of engaging the interrelationships between Women, Art, and Culture. How will we use Perez to help us care about it all? 

<See another curation done by Pérez, described in her teaching site:  CHICANA BADGIRLS CATALOG 2009 IN PDF HERE!> http://www.516arts.org/images/stories/PDFs/chicana_badgirls_catalog.pdf  

(See what KK did below: Ester Hernandez: do something similar and bring in the results!)

WHAT YOU NEED TO PREPARE FOR NEXT WEEK'S CLASS! 
Keep re-examining experience sets to see how the experiences are coming together: http://wmst250fall15.blogspot.com/p/notice-that-presentations-are-essential.html


Tuesday, 15 September – Why is art a political issue at all? 
• You should have read Freeland, Chs 4,5,7 by today and be prepared to discuss! 
• Check out Freeland’s website: http://www.uh.edu/~cfreelan/ What sort of passionate thinker is she? 
How will we activate web action to see how alive and dynamic women’s studies’ concerns are? That they involve people of passion individually and in groups? What is your stake in all this? How might it matter to you and to those you care about? You will be telling us about your museum experiences next time we meet! Mentally prepare yourself to talk in class! Notice the Freeland readings for next two weeks too!

THEN NOTICE THE WEEK OFF FOR MUSEUM ASSIGNMENT! examine the tabbed instructions (top of webpage): TAB: #1: MUSEUMS 


WEEK OF 22 SEPTEMBER—NO CLASS SO YOU CAN HAVE TIME TO VISIT MORE MUSEUMS! 
You should have started the museum assignment already, already visiting and doing what you can during these hectic first weeks of classes. But we will not meet this whole week to give you as much room to complete it all as we can!! The assignment is due TUESDAY 29 SEPTEMBER! 

WHAT TO DO IF YOU DON'T HAVE BOOKS YET: 

= consider digital version if available
= check out Library Reserves at McKeldin
= share with class buddies
= look up on the web: see what you can find out and read about
= look for articles on Research Port by same author or similar materials

In this case find out some of the artists mentioned in the book and look them up online whether you have the book yet or not!!! how do you find out? GOOGLE!! try "chicana art perez" and find out who they are....

DON'T DO NOTHING! DO DO RESEARCH! IN LIBRARY AND ONLINE! ALWAYS DEMONSTRATE THAT YOU DID AN ALTERNATIVE ACTIVITY AND WHAT YOU LEARNED FROM IT! 




===
WHAT SHOULD YOU DO IF YOU MISSED CLASS LAST WEEK? (see this on the TAB: CLASS INFO as well) 

·       TALK TO AT LEAST TWO CLASS BUDDIES IMMEDIATELY. 

WE BEGAN THE PROCESS OF MEETING CLASS BUDDIES LAST WEEK. If you missed that please make a point of introducing yourself to the people sitting on either side of you as you come into class this time. Share contact info. You will need class buddies throughout the semester. 

Make a date to get together and share notes and experiences: that means you do with the buddies what we did in class: several exercises.

Volunteer to do this for new folks if you were there last week! Reviewing what we did before is to your advantage in all ways. You will learn and reflect upon the experiences as you share them.  WE WORK IN EXPERIENCES!

Ordinarily even before you come back to class, call buddies up or email them and find out if any thing you need to plan for is happening the day you return, and make sure that you know about any changes in the syllabus. Try to have done the reading and be as prepared as possible to participate in class and with your projects when you return.

·       MAKE A DATE TO MEET WITH CLASS BUDDY TO GET NOTES AND SHARE EXPERIENCES AND DISCUSS WHAT WENT ON IN CLASS WHILE YOU WERE GONE. You are responsible for what happened in class while you were gone. As soon as possible, get caught up with notes, with discussions with buddies and finally with all the readings and assignments. Always talk with class buddies first. This is the most important way to know what went on when you were gone and what you should do.

·       AFTER YOU HAVE GOTTEN CLASS NOTES AND TALKED ABOUT WHAT WENT ON IN CLASS WITH BUDDIES, THEN MAKE APPOINTMENT TO SEE YOUR TA. If you just miss one class, getting the notes and such should be enough. But if you've been absent for more than a week, be sure you make an appointment with your TA and possibly with Katie, and come in and discuss what is going on. We all want to know how you are doing and how we can help. Or, while you are out, if it's as long as a week, send your TA or Katie email (Katie at katking@umd.edu) and let us know what is happening with you, so we can figure out what sort of help is needed. You may need to contact section members or class buddies as well.

===


===
WHAT IS WEB ACTION? how can you experiment with learning in real time on the web? what does this mean? 

BOOKS ARE NEVER THE WHOLE OF WHAT WE DO, THEY ARE ONLY A BEGINNING SPOT FOR EXPERIENCES AND ENGAGEMENTS! they are fixed in time, but we and our artists and art activisms and social justice issues are not! 

We practice INQUIRY LEARNING in this class. You will need to read the books and will report on your readings in our final project, the Learning Analysis, but along the way we are working with people, feelings, actions, ethics, power.... 

1) find someone in Pérez book whose work you like. (what if you don't have the book yet? remember it is on reserve at McKeldin. and remember YOU HAVE THE WEB!! how will that make it possible to do this assignment even if you don't have the book yet?)
2) what sort of web search and action turns up things they are doing NOW? 
3) read bits about this person using the INDEX in Pérez. 
4) how do you put what is in the book TOGETHER WITH what you find on the web? 

===
Google: https://www.google.com/




===
Find the person's website online: http://www.esterhernandez.com




===
Even if you don't have the book YET, you can use online bits on google, here is the index: notice the search string: "chicana art perez index": 



===
One of the artworks in the book can be found online: 

http://www.americanart.si.edu/collections/search/artwork/?id=34712




From a Smithsonian exhibition: http://americanart.si.edu/education/corazon/

This particular artwork in that exhibition: http://americanart.si.edu/education/corazon/galeria_06.cfm



===
Use Google to find videos too! https://www.google.com/videohp?hl=en&gws_rd=ssl


===
Ester Hernandez, winner of the San Francisco Foundation 2004 Community Leadership Awards (Helen Crocker Russell Award) - for fostering community and raising social consciousness through her groundbreaking art, for her work with Creativity Explored, and for inspiring and mentoring the next generation of artists.

Citizen Film has been collaborating with the San Francisco Foundation since 2004 on the Community Leadership Awards, under the direction of Sophie Constantinou.

https://youtu.be/DqTDZOe_K8E

===